Joss Whedon's 'Dr. Horrible' trailer hits the net & other: 2008

Sunday, 7 September 2008

Brian Wilson unveils new album track listing

Brian Wilson has revealed the track listing for his trade name new album �??That Lucky Old Sun�??, place to be released September 2.

The criminal record will come out on CD, DVD and digitally, as well as on a limited edition vinyl which will came proscribed on August 19.

�??That Lucky Old Sun�?? sees the former Beach Boy render to Capitol records, the label that was originally home to his band back in the 1960s.

The Beach Boys �??Surfin�?? Safari/409�?? was released via the imprint in 1962 and Wilson says he is thrilled to be back at the label.

"I'm thrilled to be back home with Capitol, and I'm looking forward to sharing �??That Lucky Old Sun�?? with everyone. This music is really special to me."

Inspired by the 1949 strain �??That Lucky Old Sun�??, Wilson debuted the album in London in September 2007 in a series of six sold-out shows at the Royal Albert Hall.

Produced by Wilson himself, the album was recorded at Capitol Studios in Hollywood, where he first recorded in 1962.

The track listing is:

�??That Lucky Old Sun�??

�??Morning Beat�??

�??Narrative: Room With A View�??

�??Good Kind Of Love�??

�??Forever She'll Be My Surfer Girl�??

�??Narrative: Venice Beach�??

�??Live Let Live/That Lucky Old Sun�?? (reprise)

�??Mexican Girl�??

�??Narrative: Cinco de Mayo�??

�??California Role/That Lucky Old Sun�?? (repeat)

�?? Narrative: Between Pictures�??

�??Oxygen To The Brain�??

�??Can't Wait Too Long�??

�??Midnight's Another Day�??

�??That Lucky Old Sun�?? (reprise)

�??Going Home�??

�??Southern California�??

--By our New York staff.
Find forbidden more around NME.

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Thursday, 28 August 2008

BRIDION(R) (sugammadex) Injection - First And Only Selective Relaxant Binding Agent - Approved In European Union

�Schering-Plough Corporation (NYSE: SGP) announced that the European Commission (EC) has approved BRIDION(R) (sugammadex) injection, the first and only selective relaxant binding agent (SRBA) and the first major pharmaceutical further in the field of anesthesia in two decades. BRIDION is indicated for routine reversal of the commonly secondhand muscle relaxants rocuronium or vecuronium and for immediate reversal of rocuronium in adults, and for routine reversal following rocuronium in children and adolescents (2-17 years of age). Rocuronium and vecuronium are minded as part of general anesthesia to relax a patient's muscles during surgical procedure, and are marketed in Europe under the trade names ESMERON(R) and NORCURON(R), respectively.

BRIDION works in an completely novel way by encapsulating the heftiness relaxant atom and translation it inactive. It was specifically designed to reverse within minutes both soften and deep muscle relaxation induced by rocuronium or vecuronium during general anaesthesia. As a result, BRIDION can give anesthesiologists greater control in managing the depth of muscle relaxation through to the final stage of a surgical subroutine. This may help better surgical conditions in the millions of procedures where these agents are used.

"This approval of BRIDION represents the first advance in two decades for anesthesiologists and their patients, and has the potential to transform the practice of anesthesia," said Thomas P. Koestler, Ph.D., executive vice president and president of Schering-Plough Research Institute. "This is the first major approval of a product from our combination with Organon BioSciences and is a significant achievement for Schering-Plough. This further validates the value of our combination, which closed in November 2007, and is already making a positivistic contribution to our business."

BRIDION has a rapid onset and, in addition to routine reversal, can be used in critical situations when prompt reversal of rocuronium is needed. In BRIDION clinical studies, the median metre to reversal of rocuronium was about three minutes.

A muscle relaxant plays respective critical roles in general anesthesia. Anesthesiologists use muscle relaxation to improve operative conditions and to facilitate intubation and mechanical respiration. Reversal agents reverse the effects of muscle relaxants, enabling patients to find normal muscular tissue function earlier and suspire on their own. Current reversal agents are slow and ar associated with certain undesirable side personal effects, including cardiac rhythm disturbances and gI and pulmonic side effects.

"The ability to rapidly reverse both temper and deep levels of muscle relaxation during cosmopolitan anesthesia was not possible before BRIDION," said Rajinder Mirakhur, M.D., professor of anesthetics at The Queen's University of Belfast, Northern Ireland, and a principal investigator in the BRIDION clinical trials program. "BRIDION can provide us with greater flexibility to have and maintain the stratum of musculus relaxation with rocuronium or vecuronium necessary throughout surgery and contrary that relaxation quickly when needed."

BRIDION (sugammadex) Clinical Trials

The EC approval of BRIDION is based on an extensive clinical trial database of close to 1,800 patients and volunteers, including data from the SIGNAL, AURORA and SPECTRUM clinical trials. The SIGNAL trial involved adult patients undergoing surgery. Rocuronium was administered at a standard loony toons to allow intubation, followed by upkeep doses as required. When 1-2 post-tetanic counts (PTC) were ascertained following neuromuscular stimulation (deep block), patients were administered either sugammadex or neostigmine plus glycopyrrolate, a current reversal regimen. In the SIGNAL run, the median time to reversal of muscle relaxation behavior to a train-of-four (TOF) ratio of 0.9 occurred in 2.7 minutes in the sugammadex group compared to 49.0 proceedings in the 170% 2007 under the brand

Monday, 18 August 2008

Mp3 music: Slightly Stoopid

Artist: Slightly Stoopid: mp3 download

   Genre(s):

Rock
Other

Slightly Stoopid's discography:

Chronchitis

Year: 2007

Tracks: 17

Closer to the Sun

Year: 2005

Tracks: 20

Live and Direct: Acoustic Roots

Year: 2004

Tracks: 15

Everything You Need

Year: 2003

Tracks: 14

The Longest Barrel Ride

Year: 1998

Tracks: 20

Slightly Stoopid's Miles Doughty and Kyle McDonald were sign-language to Sublime brainiac Brad Nowell's Skunk imprint piece still in high school, and did iI albums for the pronounce, More or less Stoopid in 1996 and Longest Barrel Ride two age later. While the reasoned back then was SoCal skatepunk influenced by thresh elements and rich amounts of mourning band, Doughty and McDonald's playing and singing had mature well by 2001 and Live & Direct: Acoustic Roots. The duet was later rounded by drummer Rob Moran and percussionist/vocalist Oguer Ocon. By 2003 and Everything You Need, they were rocking a California-centric healthy of crackers sampledelic drink down, hip-hop influence, cheery ganja affirmations, and the episodic return to strident skatepunk. In 2005, Slightly Stoopid released their nearly completed album to date, Closer to the Sun. The record miscellaneous dub and reggae influences with light hip-hop and an well-off groove -- on tracks like "Ain't Got a Lot of Money," Doughty and McDonald suggested Jack Johnson fronting Fun Lovin' Criminals. Their eclecticist integrate of sounds institute the circle on tours over the eld with a assortment of bands including the Marley Brothers, blink-182, G. Love & Special Sauce, Pennywise, and N.E.R.D. Considering Slightly Stoopid's longtime and adamantly D.I.Y. work ethical code, Finisher to the Sun imposingly debuted in the Billboard Top two hundred and sold intimately 25,000 copies in its number unitary deuce months of outlet. The EP Slightly Not Stoned Enough to Eat Breakfast Yet Stoopid appeared future, which contained Sun outtakes and early classic studio recordings. Playing closely 200 shows a year for their diverse fan infrastructure dear termed Ese Locos or Stoopidheads, the mathematical mathematical group released a live album (Wintertime Tour '05-'06) and DVD (Unrecorded in San Diego) in June 2006. The releases reflected the band's propensity to jam for almost deuce hours at their gigs, focusing on improvisation and crowd together interaction.

TMC278 Demonstrates Long-Term Efficacy And Tolerability In Treatment-Naïve Adults With HIV

Friday, 8 August 2008

Lukestar

Artist: Lukestar

   Genre(s):
Indie

Discography:

Alpine Unit

Year: 2004
Tracks: 10

Tuesday, 1 July 2008

Charles Lloyd - Geri Allen duo

Artist: Charles Lloyd - Geri Allen duo

   Genre(s):
Jazz

Discography:

Live in Cully Jazz Festival 2004

Year: 2004
Tracks: 5

Telepherique

Friday, 27 June 2008

Toronto slates North American premieres

'Gomorrah,' 'The Class' added to festival lineup

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More international film festival coverage

TORONTO -- The Toronto International Film Festival said Thursday that it will give South Korean filmmaker Kim Jee-woon's "The Good, the Bad and the Weird" the red carpet treatment in September as it announced about two dozen North American premieres for films that bowed at Cannes, Berlin or elsewhere internationally.

Toronto also booked Italian director Matteo Garrone's "Gomorrah," which earned the Grand Prix in Cannes, Canadian filmmaker Atom Egoyan's "Adoration" and two French films -- Arnaud Desplechin's "Un conte de Noel" and Laurent Cantet's "The Class" -- for its Special Presentations sidebar.

The festival's Masters sidebar programmed "24 City," from Chinese director Jia Zhang-ke, Jerzy Skolimowski's "Four Nights With Anna," a Poland-France co-production, the Cannes best screenplay winner "Lorna's Silence," from Belgium's Dardenne brothers, British director Terence Davies' "Of Time and the City" and "Three Monkeys," which earned director Nuri Bilge Ceylan the best director trophy at Cannes.

Toronto also booked the documentary "Blind Loves," from Slovakian director Juraj Lehotsky, for its Real to Reel section, while Lisandro Alonso's "Liverpool" and "Service," by Brillante Mendoza, get Visions slots.

The Contemporary World Cinema sidebar booked three Latin American titles -- Federico Veiroj's "Acne," Brazil's "Linha de Passe," from Walter Salles and Daniela Thomas, and Pablo Trapero's "Lion's Den" -- along with Bent Hamer's "O'Horten," Amos Kollek's "Restless" and Gotz Spielmann's "Revanche."

The Discovery program will feature Steve McQueen's "Hunger," which earned the Camera d'Or in Cannes, U.S. filmmaker Barry Jenkins' "Medicine for Melancholy," Argentinean director Gabriel Medina's "The Paranoids," Pablo Aguero's "Salamandra," Matthew Newton's "Three Blind Mice," Pablo Larrain's "Tony Manero" and Sergey Dvortsevoy's "Tulpan."

Rounding out the Toronto lineup is Ari Folman's "Waltz With Bashir" in the Vanguard section.

The 33rd Toronto International Film Festival is set for Sept. 4-13.

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Sarah Jessica Parker lines up 'Ivy'

In talks to star in her first project after 'Sex and the City'

Sarah Jessica Parker could soon have her first project after "Sex."

The actress is in talks with Warner Bros. to star in "The Ivy Chronicles," a story of class and the single woman in contemporary New York. It centers on Ivy Ames, an Upper East Side woman who, after losing her high-powered job and getting divorced, starts over again in a less ritzy downtown apartment. After pulling her children from private school, Ames starts a business to help upper-middle-class women get their children into elite kindergartens.

The project, based on Karen Quinn's eponymous novel, is described as following in the vein of "The Devil Wears Prada" and "The Nanny Diaries" as well as Gigi Levangie Grazer's "The Starter Wife," which became a successful limited series on USA. Jerry Weintraub is set to produce.

Warners is keen to cast Parker in another project after "Sex and the City" became one of the blowout hits of the summer, earning more than $300 million worldwide. Several projects were presented to the actress, who sparked to the single-mother tale.

About eight months before "Sex" became a summer smash, Parker had signed on to a romantic comedy titled "The Late Bloomer's Revolution," which HBO Films was to have produced for Picturehouse; with the dissolution of the unit, that project's status is uncertain.

Parker has had mixed big-screen results outside of "Sex." Recent academia dramedy "Smart People" earned only $10 million at the boxoffice, though "Failure to Launch," a film in which Parker had a leading role opposite Matthew McConaughey, wound up earning nearly $90 million domestically for Paramount in 2006.

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Licence Fee Payers Hit By Digital Switchover Report Finds

The switch from analogue to digital television signals in 2012 has been badly prepared for and cost a vast amount of licence fee payers' money, a new report has found.

The report, by the public accounts committee, criticised the government for the way in which it funds the public awareness campaign.

It passed responsibility for public awareness to the BBC, setting aside £803 million of licence fee money to do so. But because no outcomes were specified, the BBC is accountable only to the BBC Trust for the way it spent the money, not parliament or the government.

"It looks increasingly like licence fee payers have been hit for a lot more money than was actually needed," said Liberal Democrat culture spokesman Don Foster.

"With digital switchover already underway it's staggering that the government has failed to put in place checks and balances to ensure the public are getting value for money."

The MPs on the committee also found many Britons are still buying analogue television sets because they remain cheaper than the digital alternatives, despite the fact they will be useless by 2012.

"Many viewers do not seem fully to understand the implications of the analogue switch off and are still buying analogue televisions – unaware that they have built-in obsolescence," said the committee's chairman Edward Leigh.

"The evidence is that the 'digital tick' label with which digital televisions are flagged in shops is a mystery to many retail staff, let alone the people to whom they sell TVs."

Almost half of the televisions sold in the first seven months of 2007 were analogue sets, the report found.

There was some good news however. Take-up of digital television nationally and among groups eligible for the help scheme has exceeded the governments' expectations. Fifty-five per cent of those aged 75 and over already have digital television, against the governments' forecast of 42 per cent.

Just 15 per cent of households remain to make the switch to digital TV for their main set.

David Sinclair, head of policy at Help the Aged, said: "Help the Aged research has found that a large number of older people rely on the TV for their main form of company, so the contents of this hard-hitting report from the committee should be acted on as a matter of urgency.

"The voluntary labelling of the so-called 'digital tick' logo is not delivering the level of commitment to supplying proper equipment among retailers that was originally anticipated. Many staff within shops and sales outlets are still unable to explain what the 'digital tick' actually means and as a result, are not always able to advise customers as clearly as is needed."

26/06/2008 00:02:00

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Scary Kids Scaring Kids

Artist: Scary Kids Scaring Kids

   Genre(s):
Rock

Discography:

Scary Kids Scaring Kids

Year: 2007
Tracks: 16

The City Sleeps in Flames

Year: 2005
Tracks: 11

After Dark

Year: 2005
Tracks: 6

A Breath Of Sunshine

Year: 2005
Tracks: 16

Taking their nominate from a Cap'n Jazz call, Phoenix sestet Scary Kids Scaring Kids began spewing impassioned post-hardcore that could be both shriekingly spastic and soothingly melodic in the early 2000s. Known for a reckless, incendiary live designate, the band originally comprised Tyson Stevens (vocals/bass), DJ Wilson (guitar), Peter Costa (drums), and Chad Crawford (guitar). Wilson later on picked up the freshwater bass following the add-on of guitar player Steve Kirby and keyboardist Pouyan Afkary to the band's ranks. While still seniors in high school, the guys recorded their debut EP, After Dark, with Bob Hoag (Recuperate, the Format), severally cathartic it that June before putt the band on the back burner. As members topically enrolled in college for the fall of 2003 -- and Costa returned to his first aspiration of working to be a concert piano player -- an escalating buzz around the lot in truth began to take off, peculiarly after the popular website absolutepunk.meshing posted their EP online. Next thing bandmembers knew, Scary Kids was back as their first precedence with a raw handle on Immortal Records. The label reissued After Dark in 2004. Recorded in quintet weeks under the production skills of Brian McTernan (Snapcase, Thrice), The City Sleeps in Flames appeared in June 2005. In spring 2006, Justin Salter officially took all over drumming duties, replacement Costa in the band. Summer was fagged on both the Warped Tour and disunite dates with Haste the Day.

San Francisco's DJ Wiij Mixes And Mashes Music With A Unique Tool: Nintendo's Wii

Thursday, 26 June 2008

Caravan

Artist: Caravan

   Genre(s):
ROck: Alternative
   Blues
   Rock
   Other

Discography:

Liv'canterbury Comes To London

Year: 1999
Tracks: 10

The Battle Of Hastings

Year: 1995
Tracks: 11

Back To Front

Year: 1983
Tracks: 8

The album

Year: 1980
Tracks: 9

Cool Water

Year: 1977
Tracks: 11

Blind Dog At St. Dunstans'

Year: 1976
Tracks: 9

Cunning stunts

Year: 1974
Tracks: 7

Caravan and The New Symphonia

Year: 1974
Tracks: 5

For girl who grow plump in the night

Year: 1973
Tracks: 7

Waterloo Lily

Year: 1972
Tracks: 6

In The Land Of Grey And Pink

Year: 1971
Tracks: 5

In the land of Gray and pink

Year: 1971
Tracks: 5

If I Could Do It All Over Again I'd Do It All Over You

Year: 1970
Tracks: 8

If I Could Do It All Over Agai

Year: 1970
Tracks: 8

Caravan

Year: 1968
Tracks: 8

Caravan was one of the more formidable reformist rock acts of the Apostles to come out of England in the 1960s, though they were ne'er much more than a very successful cult banding at home, and, apart from a brief second in 1975, scantily a cult band anyplace else in the world. They only ever charted ane album in their first sextet years of activity, merely they made a lot of haphazardness in the English john Rock squeeze, and their undermentioned has been sufficiently loyal and full to maintain their ferment in print for extended periods during the 1970s, the 1990s, and in the new c.

Van grew out of the breakup of the Wilde Flowers, a Canterbury-based grouping formed in 1964 as an R&B-based outfit with a jazzy-edge. The Wilde Flowers had a card of Brian Hopper on guitar and sax, Richard Sinclair on rhythm method guitar, Hugh Hopper playing freshwater bass, and Robert Wyatt on the drums. Kevin Ayers passed through and through the lineup as a vocaliser, and Richard Sinclair was succeeded on rhythm method guitar by Pye Hastings in 1965. Wyatt later became the lead vocaliser, succeeded by Richard Coughlan on drums. Hugh Hopper left and was replaced by Dave Lawrence and then Richard Sinclair, and Dave Sinclair, Richard's full cousin, came in on keyboards. Finally, in 1966, Wyatt and Ayers formed Soft Machine and the Wilde Flowers dissolved. In the wake of the earlier group's breakup, Hastings, Richard Sinclair, Dave Sinclair, and Richard Coughlan formed Caravan in January of 1968.

The grouping stood at first slightly in the trace of Soft Machine, which became an straightaway favorite on the London club prospect and in the press. This worked in Caravan's favour, withal, as the press and club owners began taking a long seem at them because of the members' previous connections. A gig at the Middle Earth Club in London lED to their existence patched by a music publishing administrator named Ian Ralfini, which resulted in a publishing deal with Robbins Music and and then, by extension, a recording shrink with MGM Records on their Verve Records imprint, which the American label was trying to launch in England. Their self-titled debut album was a loanblend of jazz and psychedelia, just likewise enough of a superstar endeavour to rate as a serious reform-minded rock album at a clip when that genre wasn't so far amply established; along with the the Nice albums on Immediate and The Cheerful Insanity of Giles, Giles & Fripp, it deep-seated the roots of progressive rock.

The Caravan record album never sold in serious numbers game, and for a good deal of 1968 and early 1969, the members were scantily able to live -- at unrivalled spot they were literally surviving in tents. And and then, to add insult to injury, the record disappeared as MGM's British operation close down in late 1968. Out of that chaos, withal, the grouping got a new handler in Terry King and, with the facilitate of a newbie producer named David Hitchcock (who'd seen the band in concert), a contract with England's Decca Records, which was a major judge at the time. Their Decca debut album, If I Could Do It All Over Again, I'd Do It All Over You, released in early 1970, was a major stride ahead and, indeed, a milestone in their story, establishing the mix of wit and progressive sounds, including classical, jazz, and traditional English influences that would characterize the best of their work over the succeeding sextet years. Moreover, with Decca's then-formidable distribution behind it, the album got into stores and was heard and regular sold well on university campuses.

Of a sudden, Caravan was an energetic success on the college concert circuit, even making an appearance on British television's Top of the Pops. With national exposure and a growing audience, the grouping was at a make-or-break present moment in their history. They blush wine to the occasion with their indorsement Decca LP, In the Land of Grey and Pink, which showed off a keen melodic signified, a subtly droll brainpower, and a seductively smooth mix of hard tilt, folks, classic, and jazz, intermingled with elements of Tolkien-esque fantasy. The songs ranged from abstemious, easy-to-absorb pieces such as "Golf game Girl" to the quietly majestic "Ennead Feet Underground," a 23-minute suite that filled the face of an LP. One of the hardest-rocking as yet musically hardihood extended pieces to come out of the early progressive rock era, "Nine Feet Underground" didn't appear half as long as its 23 transactions and it was a glary show window for Pye Hastings' searing confidential information guitar and Dave Sinclair's eminent harmonium and pianissimo forge. Although few observers completed it at the time, the suite's length pointed up a problem that the radical faced pretty systematically -- in contrast to well-nigh progressive john Rock outfits of the earned run average, Caravan was imaginative sufficiency to rationalise extending fifty-fifty the comparatively simple songs in their repertoire to running times of 6 or seven transactions, and they were as well extremely prolific. Those deuce situations meant that they were often strained to leave behind perfectly right songs sour their albums and to cut those that they did issue. Most listeners didn't find this out until a undulation of Caravan reissues arrived in 2001 with their running times prolonged 10-25 transactions each by the presence of perfectly good, previously unissued songs and unedited edgar Lee Masters of antecedently released songs.

Keyboard participant and singer Dave Sinclair left the group's lineup in 1971, connexion his ex-Wilde Flowers bandmate Robert Wyatt in the latter's new mathematical group, Matching Mole, and he was succeeded by Stephen Miller of the jazz-based band Delivery, world Health Organization lasted through one album, Waterloo Lily (1972), moving them in a much more bluesy direction. Friction between the members resulted in Miller's deviation and the exit of Richard Sinclair, world Health Organization afterward put together Hatfield and the North. When the smoke exculpated, Caravan was back as a five-piece which included Geoff Richardson on the electric viola, which added a new and rich tone to their overall profound. By the time they cut their next album, For Girls Who Grow Plump in the Night, Dave Sinclair was back on keyboards. The album was a success, as was its followup, Caravan & the New Symphonia, a hot 1973 public presentation attended by a good orchestra, released the following year.

The group was poised to try for a breakthrough in America and, toward that end, took on Miles Copeland as their handler. They ended up on a 50-date tour of duty of the United States and Canada where the response was positive. They besides released a new album, Cunning Stunts, that became their number 1 chart LP, not only in England merely too in America (albeit at number 124) and almost of Europe as well. Unfortunately, Cunning Stunts, for all of its gross sales succeeder, was an conclusion rather than a new beginning -- the group parted ship's company with Decca Records afterwards its release. They recorded Blind Dog at St. Dunstan's for the Copeland-owned BTM Records the following year, and Better by Far for the Arista label the year after that, only by that time, their moment seemed to feature passed, and they seemed increasingly out-of-step with the burgeoning spunk rock gold rush. Caravan ceased bodily function in the early '80s, next the release of The Album and Back to Front, both recorded for Kingdom Records, owned by their other manager Terry King.

Their history seemed to hold concluded, and then in 1990, the original quadruple of Pye Hastings, Richard Sinclair, Dave Sinclair, and Richard Coughlan were reunited for what was supposed to be a one-off concert for a television system special. The performance and the sales of an concomitant live record album proven so encouraging that Caravan came together in one case more for a arcsecond vocation. The group has been back together in peerless lineup or some other of all time since, (generally filled out by ex-members of Camel, among other latter-day staff office), with new recordings rising steadily. Equally authoritative, soul at English Decca (by then part of Polygram, which became division of MCA) took it upon themselves to raid the vaults in 1999-2000 and prepare immensely expanded reissues of the group's entire Verve/Decca catalogs. The issue was the availableness of more Caravan music and more of their classic '60s and '70s recordings than had been in print at whatsoever time in their history.

Ladyhawke for Club NME Barcelona

Tim McGraw Lays Down the Law

Don't mess with Tim McGraw.

Sure, stopping a concert and asking someone to give back the ring they just pulled off your finger seemed kinda hard-core at the time. But last night at...

Hypocrits

Artist: Hypocrits

   Genre(s):
Other

Discography:

Hypocrite

Year: 2004
Tracks: 9

Travolta defends his friend Cruise

Actor John Travolta has spoken up for his friend Tom Cruise, after criticisms of the star following the leaking of a Scientology video on the Internet.
According to People magazine, Travolta said: "[Tom] has - we all have - the right to practice how we feel. It finally becomes unfair."
Travolta claimed that the media invasion into Cruise's life had gone too far.
The former 'Grease' star made the comments at the weekend, while attending the G'Day USA Gala to honour singer Kylie Minogue.
Check out all the photographs from the G'Day USA Gala here.

King Kobra

Artist: King Kobra

   Genre(s):
Metal: Heavy
   Rock: Hard-Rock

Discography:

Hollywood Trash

Year: 2001
Tracks: 13

The Lost Years

Year: 1999
Tracks: 11

Iii

Year: 1987
Tracks: 9

Thrill Of A Lifetime

Year: 1986
Tracks: 11

Ready To Strike

Year: 1985
Tracks: 10

Led by legendary drummer Carmine Appice, the heavy metallic element band King Kobra likewise included vocalizer Mark Free, guitarists Earl Slick and Mick Sweda, and bassist Johnny Rod. Debuting in 1985 with Quick to Strike, the group released iI more LPs -- Thrill of a Lifetime and King Kobra III -- earlier disbanding; Rod subsequently joined W.A.S.P., while Sweda subsequently turned up in the Bullet Boys.

Dirty Pretty Things - Barat Released From Hospital

LATEST: DIRTY PRETTY THINGS frontman CARL BARAT is resting at home after he was released from hospital over the weekend (21-22Jun08).

The British singer was admitted to a clinic in the U.K. last Tuesday (17Jun08) suffering from severe stomach pains.

He was subsequently diagnosed with acute pancreatitis and the band were forced to cancel two shows - one in London and another in Luxembourg - while Barat recuperated in hospital.

But now the star has been discharged and is recovering well. The rocker insists he will be well enough to get back to work by the end of the month (Jun08) and has confirmed the band will be playing in Switzerland on 28 June (08).

And Barat is convinced he will still play at set at legendary British music festival Glastonbury on Sunday (29Jun08).

He says, "I am feeling much better, almost as good as I ever do. It's not as bad as I thought, it appears that the pancreatitis was probably caused by a combination of the medication I was talking (for congestion that I still get after my ear operation) and maybe the odd drink too many.

"I was discharged from hospital at the weekend, which was liberating. I have been told to take it easy this week and I shan't be over exerting myself, which may be difficult as the LP is out next week and there are rehearsals to be had. Anyways, as long as I behave I should be right as rain (back to full health) before you know it."

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